Excuse me, excuse me. Tina's getting a little bit upset here. You're spending more time with him than you're spending with me. Come on, let's go.

Well, he's really cute and funny.

I know he's cute. Yeah, he's cute, but he's not for you, darling. Let me just tell you, he's not for you.

What's up, guys? Leslie Robbins here. Young Hollywood is outside the Music Box Theater about to take you on a one-of-a-kind backstage tour of the Broadway hit One Man, Two Guvnors starring James Corden. And all I got to say is just be prepared to laugh. You're an actor. Does it show? It's the way you stand at an angle as if there's an audience over there. Young Hollywood, New York City, Broadway in front of One Man, Two Guvnors with one of the hilarious stars of the show, Martin.

No, no, call me Tina, please, please. I'm Tina and you're going to come on a Tina tour of one of the hottest shows in town, One Man, Two Guvnors. And we're going to go and meet some of the cast backstage. Would you like to do that?

I would love to do that. younghollywood. com.

So, come on, let's go. Okay, come on in.

Thank you. So, Leslie, you're backstage at the theater. What do you think?

I think this is epic. I saw the show. It blew my mind. I was laughing. Did you enjoy it? Black, black. She doesn't get out much, you know, she doesn't get out much. But you did enjoy it. Oh, there's somebody behind us. Hello. Who are you? Come here. Come here, naughty boy. Come here, naughty boy. This is Ollie Chris. Ollie Chris is one of the stars of the show, please. Stanley Stubbers. And Ollie, what have you got to say for us today? Are you having a nice time on Broadway?

Yeah, Broadway's great. It's it's pretty hot.

It is very hot. It is very hot. And show us, show us this instrument that you play in the show, Ollie. And just give us a little.

These are my, uh, these are my car horns. This is my car horns, my car horn solo. It's, um, it's it's a pretty highbrow and intense, uh, intense training that it takes to, uh, be able to master.

Can you show us? Can you show us some of the

It's pretty noisy.

Just do a bit. Just a little bit.

Okay, so horn lesson 101. Yes. You ready? So, you put one hand there. Got it. One hand there. Oh, I got it wrong. I can't remember what it is. I don't I've done 400 performances. I can't remember the horn.

Oh, now, here we are. Oh, we've just bumped into somebody, Natalie Smith, who's in the show, wonderful actress, great friend of mine. Natalie, now you're a classical actress, am I right?

Yes.

And you did three years training in England as an actor.

In London, yes.

Even though she's a native New Yorker. And Natalie, um, you believe in the craft and you wouldn't just throw all the all that classical training away just to be in like a television, silly television show, would you?

Oh, no.

How wonderful, great integrity. Thank you, Natalie.

It's not worth it.

Have a great show.

Thank you.

She's wonderful. Bye-bye, darling. Bye-bye. See you later. Come on, come on.

Okay, Tina, is this where you act?

This is it. This is our this is our theater. Look at there's and soon, in about an hour, this whole place is going to be full of people. But what I want to show you really is I want to show you the ukulele backstage that I play, the most famous ukulele on Broadway. Come with me. So, it's been signed by lots of famous people, by Sting, by Frankie Valli, we've had it signed by, uh, Nathan Lane, Bernadette Peters, Michael Douglas, Kathleen Turner, Jane.

So, you've basically, you've had small-time actors come and see the show.

There's nobody seen. I mean, only, look, Gene Wilder, look at that. Gene Wilder. I mean, yeah, he's small time. Small time. Small time. But we all love him. Love. We've gone upstairs. We're by the dressing rooms. The star of the show, James Corden. Can we knock? You can knock. The joker, come on. I'm sure.

So, you brought this show over from the UK. How is the audience different here than over there?

It's not really. It's kind of exactly the same. It's, you know, the world's a smaller place now. So, uh, yeah, there's been no real difference. I think I think it's better here, actually. I prefer doing it here. There's a there's a a greater, I don't know. I don't I don't prefer, actually. I think I just I'm enjoying living in New York.

Yeah. The best part of living here?

Oh, man, everything. It's, uh, it's terrific. The food, I think, yeah. It's amazing.

Hello. It's Carmel and Kevin, our wigs, wig and hair department. Come in. Carmel does my wig. Say hello.

Hello.

Hello. Hello. Hello. Hello. Gorgeous friend. Kevin over here, does the other wigs. Hello, Kev. My gorgeous friend. So, this is the wig room. I'll swing 'round. Swing 'round with the camera, a quick look. And you can see all the lovely wigs. Oh, hi, N- Oh, hi, Natalie. How are you, Natalie? Natalie's here again. Remember, we met Natalie earlier on. How are you?

Fine, how are you?

Okay, great. Thanks for just doing the a little thing about the wigs now. If it's okay.

Oh, yeah, I was just I was here to say something about that.

Okay, you can do that. So, where is your wig? Because you have a lot more hair in the show.

My wig is here. There we are. There's my wig. There it is. You didn't even recognize it though. That's my wig.

Marty. Marty. So, I play Harry Dangle, who's a lawyer and he's he's lots of greasy hair and he's a greasy liar. So, don't trust him. Don't trust him. But he's really funny. He's funny, isn't he? So, he's cute. Yeah. He's cute, but he's but don't trust him. Right, come on, let's go somewhere else. Come on.

Okay, so we just climbed about five flights of stairs. Where are we now?

We are outside the boys' dressing room, the boys' ensemble in the show and the musicians as well are in the show. And I'm just going to knock the door because they're all probably in there getting ready, maybe going through some sort of preparation, like a warm-up preparation for the show. They're all absolutely ready, like coiled springs for the show this afternoon. So, I'm going to knock. Hold on. See, they're all concentrating. So, let's go in and have a look in. We don't disturb them because. Okay. Come on, let's go in. They're all actually, they're all asleep, actually. Oh. Hi, Natalie. How are you? I keep I keep bumping into you today. It's so funny. It's like we're on the same schedule or something. It's wonderful. What are you doing in here?

Um, I was just, you know, making sure that the boys, um, got some rest. You know, they have a big show today. So.

Yeah, okay. Lovely. Okay, we'll have a Yeah, okay, we'll have a nice time. Have a nice Yeah, have a nice time. Okay.

Is this how they warm up and get their comedy on?

Kind of. Yeah, kind of. Kind of. Yeah, they warm up like that. That's the way we warm up in England. They've been taught. Let's go. Come on, let's go. Thanks, boys. Thanks, Natalie.

So, I actually see we're outside of Tom's dressing room right now. I loved his performance. You think he'll let me in?

Well, I have a go. Knock the door. Knock the door. Hi. Hi, Tom. Hello.

Tom, this role, which was hysterical, earned you a Tony nomination.

Yeah. Huge. It did. Yeah, massive. Yeah, yeah. That was completely unexpected, you know. Um, uh, I didn't expect that at all. No.

Does it make you walk down the street a bit taller? Or what does it do for you?

Um, it's not Yeah, I suppose, um, when it's all all the dust has settled and the award season finishes, it's the fact that it's still there, that that recognition, um, happened. Yeah, it does. It gives you, you know, an insecure profession, it gives you a little feeling of it's a nice feeling, yeah.

Oh, Excuse me, excuse me. Tina's getting a little bit upset here. You're spending more time with him than you're spending with me. Come on, let's go.

Well, he's really cute and funny.

I know he's cute. Yeah, he's cute, but he's not for you, darling. Let me just tell you, he's not for you.

I don't want to talk about the nomination.

I know, don't talk about don't talk about the nomination for goodness sake. We already did. Yeah. Oh, did you? Yeah, probably did. Come on. This is the rest of the cast. Oh, hi, Natalie. How are you? And that's Charlie, that's Charlie RMD, that's Sarah, Jason, Jacob, and Natalie's here, Natalie's here again. Hi. How are you? All right? Do you all have a nice warm up? Do you have a nice warm up? Is that okay? Yeah, you're looking good. And, uh, so we're just going to go I'm going to show you out now because we've got to do a show, Leslie. We got

Oh, that little thing. That little thing. Okay. The show. Tina, you gave me the full Tina tour. Bless you. Amazing. Thank you. I hope everyone sees the show because you will be laughing walking out of the theater.

Thank you very much. And it's been lovely, it's been lovely to talk to you, younghollywood. com and, uh, to show you around our lovely little theater. Thank you. Gives a kiss. Oh. Love you, Lez. Love you. Come on then, let's go. Okay.