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Q&A with L.A.: Chatting with Music Mogul and "X Factor" Judge L.A. Reid
Written by Kellyé West. Published: April 11 2011
Although L.A.
is just a nickname that he acquired at a young age while still
living in Ohio, it seems to have foreshadowed Antonio
"L.A." Reid's long career in the music business; and even
if you might be unfamiliar with the name, no doubt you have jammed
out to the fruits of his labor for years.
L.A. started
out in the music field as a drummer. In the '80s, Reid’s talent
secured him as one-sixth of the R&B group The
Deele. After their biggest hit, "Two Occasions", took the
group on tour, Reid and band mate Kenny “Babyface”
Edmonds joined forces to create LaFace Records in 1989 in
a partnership with Clive Davis and Arista Records.
LaFace soon became the leading destination for African-American pop
artists who appealed to both the urban charts and the Top 40.
With its
headquarters in Atlanta, Georgia, LaFace Records’s library of
artists included Usher, Toni
Braxton, Outkast, and TLC. After eleven years, both Reid and Edmonds
sold their remaining stake in LaFace to BMG Records, the parenting
company of Arista. Reid soon succeeded Clive Davis as President of
Arista and continued proving to be the man with the golden touch by
signing P!nk, Ciara, and Avril Lavigne. Once BMG merged with Sony, Reid
found himself in a new position as CEO of Island Def Jam Music
Group, where his reputation continued to proceed him as he had his
hands in the regeneration of Mariah Carey and
the successes of Rihanna, Jay-Z, Kanye West, Bon Jovi, Jennifer Lopez, and even the pop world’s most
popular teen sensation, Justin Bieber.
Through all of
his triumph, he still is not done yet. Young Hollywood recently had
the privilege to speak with Reid while he transitions from CEO of a
powerhouse music company to reality TV judge. There is no denying
the magnetic force that binds L.A. Reid and musical talent
together, which is why we believe Simon Cowell offered Reid his new title...
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YH: Have you
officially cleaned out your office yet?
L.A.:
Yes, I have cleaned out my office, and I am working out of a tiny,
less-than-impressive office in New York and still transitioning
into the next chapter of my career, which is "The X Factor"!
YH: We
all know that you are pretty good at finding the "X Factor" because
it has been your career for quite some time now.
L.A.: [laughs]
Well, we are about to find out whether I am good or
not.
YH: How will
you adjust to what you have been doing for so many years to sitting
behind a table with the talent coming to you?
L.A.: The only
difference is that people will watch. People audition for me all
the time; they have for many years. I have always done this sort of
audition process as my way of signing. Different record executives
work in different ways, and my way has always been through
auditions and live performance, so it’s right up my
ally.
YH: What are
you looking for when you are picking out and signing
talent?
L.A.: I look
for the same things that the public looks for. I look for
excitement, charisma, and talent is obviously at the top of the
list, but its the package. It is all of those things that make up
the X Factor. Like the excitement we got when we first saw Madonna, or the first time we heard Mariah Carey,
or the excitement we got when we saw Michael
Jackson moonwalk across the stage, or the excitement that
I got the first time Justin Bieber walked into my office. It is not
only a singing competition; for me, it is an entertainment
competition.
YH: What is
the difference between "American Idol" and "The X
Factor"?
L.A.: Simon
Cowell. He was the original on "American Idol", and he is the star
and the focus of "X Factor", and I think he is the difference
maker. Simon has brought about such great anticipation and how
everyone is on the edge of their seats for the show, trying to
guess his judging panel. Everyone is thinking about how it is going
to compete with "American Idol", and all of this is a result of how
great Simon is. It’s the Simon Factor that has everyone
excited.
YH: You seem
very excited to be working with him.
L.A.: I am. I
think he is the world’s greatest. Now, saying that doesn’t mean we
will always agree, and I am certain that we are going to have our
moments, but it will be great!
YH: How long
are you planning on being with "X Factor"?
L.A.: Oh, who
knows? Let’s just get past this first season. I am certainly
committed this year.
YH: I know
you will no longer work with Def Jam, but will you continue to work
with music on the side in any way? Be there for people to come
to?
L.A.:
Absolutely, are you kidding? That is my career, that’s my first
love. Working in music and as a music executive and running record
companies, that’s my thing and that is what I love doing. I won’t
stop. I am merely in transition.
YH: What
else would you be doing if music never happened?
L.A.: I can’t
even imagine. I feel music and I are one with each other.
YH: Well, we
couldn’t imagine music with out you!
L.A.: Thank you
so much. I don’t like to think about what life would be like
without music.
YH: You have
definitely changed music. Coming from Atlanta, I experienced your
presence and influence first-hand.
L.A.: I have so
much passion for Atlanta! I was just talking with my sons about
Atlanta and how, when I moved there in 1989, there were obviously
some talented people, but there wasn’t really a music industry
infrastructure. We were all collectively able to bring about a
certain energy to Atlanta that really turned it into a city that is
very known for music, so I am really proud of Atlanta and I miss
it. It is fertile ground to great songs. That place is
special.
YH: Do you
remember the line in the P!nk’s song - “L.A. told me you’ll be a
pop star / All you have to change is everything you are”? Did you
really say that to her?
L.A.:
(laughing) That’s my girl P!nk, poking fun at me as she always does
and always will. That’s actually an Atlanta story. I took P!nk to
dinner at Pricci, and they put too many utensils on the table. Too
many forks, too many spoons, too many knives; it was a lit bit too
fancy. Then P!nk asked me, “What is all this stuff for?” I jokingly
said, "You should take an etiquette class, then you won’t have to
ask, right?" She thought that was funny and so she took that and
wrote it into the song. But that’s all it was, it is just a very
inside joke between her and I.
YH: There
are so many talented people out there, and only a select few are
seen. What does it take to get a second
look?
L.A.: Well, not
everyone knows how to lose themselves as a performer in music; you
have to be brave. You have to be able to let go and let the music
take you over, and then music will leave you and reach out and
touch others. Music is made to be shared, and if you can’t
emotionally reach people because you’re not giving up yourself,
then you don’t have what it takes to make it, and on "The X
Factor", we are looking for people who can give it all.
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Auditions for
the U.S. version of "The X Factor" are now in full force, and the
show will be premiering on FOX this fall.
If you love
music as much as we do here at Young Hollywood, we know that you
will be glued to the TV and locked onto L.A. Reid and his wide
knowledge about the biz; stay tuned!
(Image via
FOX)
- Kellyé
West, YH Staff